Portrait of the 'Peruvian Che Guevara', a famous Trotskyist and legendary peasant leader of the sixties: Hugo Blanco preferred to deconstruct his leadership and encourage self-government, becoming an anonymous activist: Hugo Indio.
Starting with a journey to the forgotten jungle village where Blanco’s fight and fame began, the film director looks for the traces of the young black-bearded man with a gun on his shoulder and raised fist shouting "Land or Death!" and finds the traces of the indigenous peasant movement.
In the second part - in the aftermath of the Peruvian Internal Armed Conflict - she meets the tireless Hugo Blanco, her father’s revolutionary hero, in person. He is now a white-bearded indigenous and environmental activist: Hugo Indio.
The film is a diptych divided by a hiatus of silence and mourning for the rivers of indigenous blood that flowed when a generation’s dream, the one of the armed revolution, turned into a nightmare.
FULL FILM on Demand with English, German, French and Spanish Subtitles
HUGO BLANCO, DEEP RIVER
„50 years later the maker of this visually impressive film met the legendary guerrilla leader.“
"Der schwarze Bart ist weiß geworden und die von Trotzki inspirierten jugendlichen Ansichten haben durch die Jahre im Gefängnis realistischere Konturen angenommen. All das änderte jedoch nichts an Hugos Entschlossenheit, sich jederzeit dem Kampf gegen Rechtlosigkeit und Ungerechtigkeit anzuschließen".
One World Prague
„L'image est très belle, la musique souvent extraordinaire et le personnage éminemment sympathique...“ Cinélatino". Rencontres de Toulouse
"Et si Ernesto Guevara dit le Che était encore vivant? Il aurait certainement les traits d'Hugo Blanco!" Mediapart.fr
"A superstar of the activism world in Peru, he changed the way people view politics freeing communities with his words and his spirit (...) Today he is an older man, but his spirit and his vision for a better world based on Indigenous values remain strong". ImagineNative Film Festival
"an extraordinary soundtrack that contributes to achieving a friendly atmosphere at times and dense and deep in others, perfectly integrated"Francisco Adrianzén (EICTV sound teacher Cuba)
“The filmic work of Malena Martínez Cabrera is an essential contribution to the reconstruction of the historical memory of Peru and beyond Latin America. It is a source of reflection for the new generations, a work that I quote and use in my classes on Latin America of the present time”. Dr. Franck Gaudichaud (University Toulouse Jean Jaurès - Francia)
An intense epoch of internal war in Peru spanned my childhood and youth. The terrorist violence of the Maoists of the Shining Path was replicated by the brutal military repression. In their crossfire stood tens of thousands of indigenous peasants, the most forgotten and marginalized ones in the country. People that our racism had already faded out before the war.
The trauma left in the Peruvian population for two decades of terror (1980–2000) led many to identify now the faintest socialist impulse as a veiled communist or terrorist threat. For my generation ‚revolution’ is an ambiguous word. My generation is trying to process what happened.
After my extensive research in diverse visual archives in Peru, which depict Hugo Blanco in a sensationalist way and at the same time do not record the indigenous fights as part of the official history, I understood that my documentary film should show what is happening with the memory of the Peruvian Indigenous and Peasant struggles: it is fading out.
The Agrarian Reform, the biggest social catalyst of modern Peru is only recounted beginning with the official law created in 1969 during the military government. Indigenous fights are still labeled as subversive acts. Century after century, Indigenous peoples are erroneously interpreted as suspects and aggressors or in a passive political role or as victims. Indigenous people are still "the other", the field of projection of the countries’ own fears. My film tries to approach the perspective of the Indigenous peasant movement.
Probably my biggest challenge was not to give up telling a counter-history - “bursting history against its grain” (W. Benjamin, 1995), - despite the expectation and the advice of telling the traditional hero-story about such a charismatic leader. My character himself still works in deconstructing the imagery of messianic guerrilla fighters and advocates for self-government by the people. He says there is no need for leaders. He seeks to put in the light the past and the present epic of Indian people, who were once overshadowed by him and by the light of the revolutionary imagery not just in Peru but also in the World. As for me, making a film rather ‚in the spirit‘ than ‘about’ Hugo Blanco means activating the memory of those forgotten collective indigenous fights. I think it is necessary worldwide to re-take knowledge of those facts facing the fact that in Latin America, rural social fighters and nature guardians are being murdered and are easily criminalized, relating them to communist threats.
I work with subliminal sound and images subtly touching national taboos. I’m afraid that my country won’t find its path to the so-much-longed-for reconciliation, and it won’t heal the deep wounds of our historical memory until we don’t dare to cross the traumatic waters and shadows seeded in our collective unconsciousness. Malena Martínez Cabrera
Photo: Revela Lateinamerika / Marcela Torres
The world premiere of Hugo Blanco, Deep River took place in the International Competition at the One World International Human Rights Documentary Film Festival in Prague on the 12th March 2019.
Our North American premiere was at the biggest indigenous film festival worldwide: ImagineNATIVE in Toronto, Canada.
The film has been invited to film festivals in a dozen countries and won following awards:
Best international documentary film
13. ATLANTIDOC. International Documentary Film Festival of Uruguay, 2019
Special mention "Ojo Latinoamericano". PUKAÑAWI 2020. XVI. Internacional Human Rights Festival of Sucre, Bolivia.
Best Peruvian Feature Documentary film
National Film Festival of Huánuco, Peru, 2019
The South American and Peruvian premiere of Hugo Blanco, Deep River took place in August 2019 at the Festival de Cine de Lima.
2019 the film traveled in an alternative rural distribution in Cusco, Peru, thanks to a project funded by the Film Section of the Peruvian Ministry of Culture, Dirección del Audiovisual, la Fonografía y los Nuevos Medios (DAFO). The film reached 1800 people in 6 screenings communitarian organized.
2020 due to the pandemic, several Virtual Communitarian Screenings took place online reaching more than 10.000 people.
The film can be seen now worldwide on-demand:
New screenings in rural Quechua areas are coming.
Full information (SP)
Original title HUGO BLANCO, RÍO PROFUNDO
English title HUGO BLANCO, DEEP RIVER
Countries & year Austria, Peru, 2019
Director & producer Malena Martínez Cabrera
Sound Omar Mustafá, Guido Deniro; Carlos Pino
Image Gustavo Schiaffino (dop); Carlos Sánchez Giraldo, Aureliano Lecca, Omar Mustafá, Malena Martínez
Editing Malena Martínez , Alexandra Wedenig
Dramaturgical advice Alejandra Almirón, Dieter Pichler, Jaana Puhakka
Development Marta Andreu, Nataly Villena, Catherine Bernstein
Shooting format HD 16:9, 16mm, Mini DV 4:3 Color
Screening format Spanish: DCP, File ProRes, Blu-Ray, DVD
English, German, French: ProRes
Audio Dolby Stereo 5.1
Languages Spanish, Quechua
Subtitles Spanish, English, German, French
Project development Archidoc (MEDIA, La Fémis)
Doc Markets Agora Market, Thessaloniki Film Festival, 2019 Media Library, Visions du Réel, 2019, East Silver Market, Jihlava International FF 2018/19
Graphic designs in social media: Chris Yong-García, Neufa Q. García, Katya Zevallos, Juan Pablo Campana.
MALENA MARTINEZ CABRERA
Malena Martinez Cabrera is a Peruvian film director, producer, photographer, and film critic with multiple cultural backgrounds based in Vienna, Austria, and Cusco, Peru. She lived in the Andes, in the jungle region, and on the coast side of Peru, where she studied Hispanic Literature (Catholic University, 1999) and Music.
She received the Professional Development Fellowship of the Flaherty Film Seminar in 2021. In 2007 she obtained a Masters in Creative Documentary at the University Pompeu Fabra of Barcelona. She is an alumna of the class of Artistic Photography (at Friedl Kubelka School in Vienna), of the film development program ARCHIDOC (La Fémis, Paris, Amsterdam, Lyon), of the Aristoteles Workshop (Arte TV, Sibiel, Romania), and she was a Ruth Beckermann’s Mentée (FC Gloria Mentoring program for female filmmakers).
She also holds a Magister’s degree in Spanish Philology (University of Vienna) obtained with a thesis about the film adaptation of Jose Maria Arguedas’ indigenist novel Yawar Fiesta.
She currently manages an alternative distribution project which seeks to reach Quechua areas with no cinemas in Peru.
2019 Hugo Blanco, Deep River (108’) 2009 Felipe, come back (67')
2017 Arcane (1’14’’) Third prize. Festival KinoWieNochNie. Filmarchiv, Austria;
Cine de Artistas DocBsAs, etc.
2017 Cinco trotskistas y Hugo Blanco (6’)
2016 Diálogos que son monólogos (2’)
2015 Archetype (1’15'')
2014 Hugo Blanco y el periódico Lucha Indígena (15’)
2002 Ramiro en Viena (10') Special mention. Shorts on Screen. ORF.
Alternative Distribution in Peru
Funded by Ministry of Culture Peru
Film funded by